glory hallelu this is what weve come to do lyrics
Lyrics | Julia Ward Howe, 1861 |
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Music | William Steffe, 1856; arranged by James Due east. Greenleaf, C. Due south. Hall, and C. B. Marsh, 1861 |
Audio sample | |
"The Battle Hymn of the Commonwealth" as performed by the Usa Air Force Band
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The "Boxing Hymn of the Democracy", also known equally "Mine Eyes Take Seen the Glory" outside of the United States, is a popular American patriotic song by the abolitionist author Julia Ward Howe.
Howe wrote her lyrics to the music of the song "John Dark-brown's Body" in November 1861 and first published them in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the cease of the age (through allusions to biblical passages such every bit Isaiah 63:1–6 and Revelation 14:xiv–nineteen) with the American Civil State of war.
History [edit]
Oh! Brothers [edit]
The "Glory, Hallelujah" tune was a folk hymn developed in the oral hymn tradition of camp meetings in the southern Us and offset documented in the early 1800s. In the commencement known version, "Canaan's Happy Shore," the text includes the verse "Oh! Brothers will you meet me (3×)/On Canaan's happy shore?"[1] : 21 and chorus "In that location we'll shout and give Him glory (3×)/For glory is His own."[2] This developed into the familiar "Glory, glory, hallelujah" chorus past the 1850s. The tune and variants of these words spread across both the southern and northern United States.[3]
Equally the "John Brown's Trunk" song [edit]
At a flag-raising ceremony at Fort Warren, virtually Boston, Massachusetts, on Sunday, May 12, 1861, the song "John Brownish's Body", using the well known "Oh! Brothers" tune and the "Celebrity, Hallelujah" chorus, was publicly played "perhaps for the outset fourth dimension". The American Civil State of war had begun the previous month.
In 1890, George Kimball wrote his account of how the 2nd Infantry Battalion of the Massachusetts militia, known as the "Tiger" Battalion, collectively worked out the lyrics to "John Chocolate-brown's Trunk." Kimball wrote:
We had a jovial Scotchman in the battalion, named John Brown. ... [A]nd as he happened to bear the identical name of the old hero of Harper's Ferry, he became at once the butt of his comrades. If he made his appearance a few minutes tardily among the working squad, or was a little tardy in falling into the visitor line, he was sure to be greeted with such expressions as "Come up, old fellow, yous ought to be at it if yous are going to help u.s. gratis the slaves," or, "This can't be John Brown—why, John Brown is dead." And then some wag would add, in a solemn, drawling tone, as if it were his purpose to give particular emphasis to the fact that John Brown was really, actually dead: "Yep, yes, poor old John Brownish is dead; his torso lies mouldering in the grave."[4]
According to Kimball, these sayings became by-words amongst the soldiers and, in a communal effort — similar in many means to the spontaneous limerick of campsite meeting songs described above — were gradually put to the tune of "Say, Brothers":
Finally ditties composed of the most nonsensical, doggerel rhymes, setting for the fact that John Brown was dead and that his body was undergoing the process of decomposition, began to be sung to the music of the hymn above given. These ditties underwent diverse ramifications, until eventually the lines were reached,—
"John Brown's torso lies a-mouldering in the grave,
His soul'south marching on."And,—
"He's gone to be a soldier in the regular army of the Lord,
His soul'southward marching on."These lines seemed to requite general satisfaction, the idea that Brown's soul was "marching on" receiving recognition at once every bit having a germ of inspiration in it. They were sung over and over over again with a great deal of gusto, the "Glory, hallelujah" chorus beingness e'er added.[four]
Some leaders of the battalion, feeling the words were coarse and irreverent, tried to urge the adoption of more fitting lyrics, simply to no avail. The lyrics were soon prepared for publication by members of the battalion, together with publisher C. Southward. Hall. They selected and polished verses they felt appropriate, and may fifty-fifty have enlisted the services of a local poet to help polish and create verses.[5]
The official histories of the former Outset Arms and of the 55th Artillery (1918) also tape the Tiger Battalion's part in creating the John Brown Song, confirming the general thrust of Kimball'south version with a few additional details.[six] [7]
Cosmos of the "Battle Hymn" [edit]
Kimball's battalion was dispatched to Murray, Kentucky, early in the Civil War, and Julia Ward Howe heard this song during a public review of the troops outside Washington, D.C., on Upton Loma, Virginia. Rufus R. Dawes, so in control of Company "K" of the 6th Wisconsin Volunteer Infantry, stated in his memoirs that the man who started the singing was Sergeant John Ticknor of his company. Howe'south companion at the review, the Reverend James Freeman Clarke,[eight] suggested to Howe that she write new words for the fighting men's song. Staying at the Willard Hotel in Washington on the night of November 18, 1861, Howe wrote the verses to the "Battle Hymn of the Republic."[9] Of the writing of the lyrics, Howe remembered:
I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morn twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, "I must become up and write these verses downward, lest I fall comatose again and forget them." Then, with a sudden effort, I sprang out of bed, and constitute in the dimness an onetime stump of a pencil which I remembered to have used the day before. I scrawled the verses well-nigh without looking at the newspaper.[10]
Howe's "Battle Hymn of the Republic" was first published on the forepart folio of The Atlantic Monthly of Feb 1862. The sixth verse written by Howe, which is less normally sung, was not published at that time. The song was also published every bit a broadside in 1863 past the Supervisory Committee for Recruiting Colored Regiments in Philadelphia.
Both "John Dark-brown" and "Battle Hymn of the Republic" were published in Father Kemp's Sometime Folks Concert Tunes in 1874 and reprinted in 1889. Both songs had the same Chorus with an boosted "Celebrity" in the second line: "Glory! Glory! Celebrity! Hallelujah!"[xi]
Julia Ward Howe was married to Samuel Gridley Howe, the famed scholar in education of the bullheaded. Samuel and Julia were too agile leaders in anti-slavery politics and strong supporters of the Wedlock. Samuel Howe was a fellow member of the Secret 6, the group who funded John Brown's work.[12]
Score [edit]
"Canaan's Happy Shore" has a poesy and chorus of equal metrical length and both verse and chorus share an identical tune and rhythm. "John Brownish's Body" has more than syllables in its poetry and uses a more rhythmically active variation of the "Canaan" melody to suit the additional words in the verse. In Howe'south lyrics, the words of the poetry are packed into a yet longer line, with even more than syllables than "John Brown's Body." The poesy all the same uses the same underlying tune equally the refrain, merely the add-on of many dotted rhythms to the underlying melody allows for the more complex poesy to fit the same melody as the comparatively brusque refrain.
- One version of the melody, in C major, begins equally beneath. This is an example of the mediant-octave modal frame.
Lyrics [edit]
Howe submitted the lyrics she wrote to The Atlantic Monthly, and it was offset published in the February 1862 issue of the mag.[xiii] [14]
First published version [edit]
Mine eyes have seen the glory of the coming of the Lord;
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.(Chorus)
Glory, glory, hallelujah!
Celebrity, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.I have seen Him in the watch-fires of a hundred circumvoluted camps,
They accept builded Him an altar in the evening dews and damps;
I tin can read His righteous judgement by the dim and flaring lamps:
His day is marching on.(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.I accept read a fiery gospel writ in glassy rows of steel:
"As ye deal with my contemners, so with you my grace shall deal";
Permit the Hero, born of woman, crush the serpent with his heel,
Since God is marching on.(Chorus)
Celebrity, glory, hallelujah!
Celebrity, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.He has sounded along the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment-seat;
Oh, be swift, my soul, to respond Him! Exist jubilant, my feet!
Our God is marching on.(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on.In the beauty of the lilies Christ was born across the sea,
With a celebrity in His bosom that transfigures you and me.
As He died to make men holy, let u.s. dice to brand men complimentary,[15]
While God is marching on.(Chorus)
Celebrity, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on.
* Many mod recordings of the "Boxing Hymn of the Republic" use the lyric "As He died to make men holy, allow the states alive to make men free" equally opposed to the wartime lyric originally written by Julia Ward Howe: "allow u.s. dice to make men free."[sixteen]
Other versions [edit]
Howe's original manuscript differed slightly from the published version. Most significantly, it included a concluding verse:
He is coming like the glory of the morning on the wave,
He is Wisdom to the mighty, He is Succour to the brave,
So the earth shall exist His footstool, and the soul of Fourth dimension His slave,
Our God is marching on.(Chorus)
Glory, glory, hallelujah!
Glory, celebrity, hallelujah!
Glory, glory, hallelujah!
Our God is marching on!
In the 1862 sheet music, the chorus ever begins:
Glory! Celebrity! Hallelujah!
Glory! Glory! Glory! Hallelujah!
Glory! Glory! Hallelujah!"[17]
Recordings and public performances [edit]
- The song is played past a US Army marching band in the 1951 film The Tall Target before long subsequently a plot to assassinate President-elect Abraham Lincoln in April 1861, is foiled. This was several months before the song was actually composed.
- In 1953, Marian Anderson sang the song earlier a live television audience of lx 1000000 persons, broadcast live over the NBC and CBS networks, as part of The Ford 50th Anniversary Bear witness.
- In 1960 the Mormon Tabernacle Choir won the Grammy Honor for Best Performance by a Vocal Group or Chorus. The 45 rpm single record, which was arranged and edited by Columbia Records and Cleveland disk jockey Bill Randle, was a commercial success and reached #13 on Billboard's Hot 100 the previous autumn. Information technology is the choir's only Superlative xl hit in the Hot 100.[18]
- It'due south included along with her performance of "Nosotros Shall Overcome" on Joan Baez in Concert, Office two, alive material recorded during Joan Baez' concert tours of early on 1963.
- Judy Garland performed this vocal on her weekly television show in December 1963. She originally wanted to do a dedication show for President John F. Kennedy upon his assassination, merely CBS would non let her, so she performed the song without existence able to mention his name.[19]
- At Winston Churchill's funeral January thirty, 1965. Churchill's favourite hymns were sung, including the "Boxing Hymn of the Commonwealth".
- Andy Williams experienced commercial success in 1968 with an a cappella version recorded at Senator Robert Kennedy's funeral. Backed past the St. Charles Borromeo choir, his version reached #11 on the adult contemporary chart and #33 on the Billboard Hot 100.[20]
- In the pic Kelly'due south Heroes, Oddball is playing information technology (in the rain) as his tanks see up with Kelly and the residue of the troops.
- Anita Bryant performed it January 17, 1971, at the halftime show of Super Bowl 5.
- Mormon Tabernacle Choir performed this song at the inaugural parade of President Ronald Reagan on Jan twenty, 1981.
- The song is one of the iii American songs included in "An American Trilogy", a 1971 song medley written and performed past state composer Mickey Newbury. Newbury'due south song was popularized by Elvis Presley, who included it every bit a showstopper in his concerts. Presley recorded and issued "An American Trilogy" several times.
- The vocal is included on the Real Ale and Thunder Band's album At Vespers, recorded at St. Laurence'south Parish Church building, Downton by BBC Radio Solent, 18 November 1984.
- Stryper recorded this song on their 1985 album Soldiers Under Control.
- Information technology was performed in St. Paul'south Cathedral on September 14, 2001, as function of a memorial service for those lost in the September 11, 2001 attacks.[21]
- The Brooklyn Tabernacle Choir also sang this song at President Barack Obama's Second Presidential Inauguration Ceremony on January 21, 2013.
- The Mother Bethel AME Church Choir from Philadelphia performed this song during the opening 24-hour interval of the Democratic National Convention on July 25, 2016.[22]
- A U.South. armed forces choir and band performed this song at the pre-inauguration ceremony of President-Elect Donald Trump on January nineteen, 2017, at the Lincoln Memorial.
- The Naval Academy Glee Club performed this song on September 1, 2018, at the funeral of Sen. John McCain at the Washington National Cathedral.
- A cover for the 2020 video game Wasteland 3 performed past Joshua James was used during a fundamental fight section and in the official launch trailer.
Influence [edit]
Popularity and widespread use [edit]
In the years since the Civil War, "The Battle Hymn of the Commonwealth" has been used oft as an American patriotic song.[23]
Cultural influences [edit]
The lyrics of "Boxing Hymn of the Commonwealth" appear in Dr. Martin Luther King Jr.'s sermons and speeches, most notably in his speech "How Long, Non Long" from the steps of the Alabama State Capitol building on March 25, 1965, after the successful Selma to Montgomery march, and in his terminal sermon "I've Been to the Mountaintop", delivered in Memphis, Tennessee on the evening of Apr 3, 1968, the night before his bump-off. In fact, the latter sermon, Male monarch's last public words, ends with the showtime lyrics of the "Boxing Hymn": "Mine eyes have seen the glory of the coming of the Lord."
Bishop Michael B. Curry of Northward Carolina, afterwards his ballot equally the first African American Presiding Bishop of The Episcopal Church, delivered a sermon to the Church's General Convention on July iii, 2015, in which the lyrics of the "Battle Hymn" framed the message of God'southward dearest. After proclaiming "Glory, glory, hallelujah, His truth is marching on", a letter from President Barack Obama was read, congratulating Bishop Curry on his historic election.[24] Curry is known for quoting the "Battle Hymn" during his sermons.
The inscription "Mine optics have seen the glory of the coming of the Lord" is written at the feet of the sculpture of the fallen soldier at the American Cemetery in Normandy, France.
The melody has played a role in many movies where patriotic music has been required, including the 1970 Globe War II war comedy Kelly's Heroes, and the 1999 sci-fi western Wild Wild Due west. Words from the first poesy gave John Steinbeck'south wife Carol Steinbeck the title of his 1939 masterpiece The Grapes of Wrath.[25] The title of John Updike'due south In the Beauty of the Lilies besides came from this song, every bit did Terrible Swift Sword and Never Call Retreat, two volumes in Bruce Catton's Centennial History of the Civil War. Terrible Swift Sword is besides the name of a lath wargame simulating the Battle of Gettysburg.[26] The song was used in the anime Girls und Panzer as the tune used when members of the American-inspired fictional Saunders University Loftier School are seen moving in their various M4 Sherman variants.
Words from the second last line of the last poesy are paraphrased in Leonard Cohen'southward song "Steer Your Way".[27] It was originally published equally a poem in the New Yorker mag.[28] "Equally He died to make men holy, let usa die to make men gratuitous" becomes "As He died to brand men holy, let us die to make things cheap".
In association with football game (soccer) [edit]
The refrain "Glory, glory, hallelujah!" has been adopted past fans of a number of sporting teams, most notably in the English language and Scottish Premier Leagues. The popular utilise of the tune past Tottenham Hotspur tin be traced to September 1961 during the 1961–62 European Cup. Their beginning opponents in the competition were the Smooth side Górnik Zabrze, and the Shine press described the Spurs team every bit "no angels" due to their crude tackling. In the render leg at White Hart Lane, some fans and then wore angel costumes at the match belongings placards with slogans such as "Glory exist to shining White Hart Lane", and the crowded started singing the refrain "Glory, glory, hallelujah" as Spurs beat out the Poles eight–i, starting the tradition at Tottenham.[29] It was released every bit the B-side to "Ozzie'southward Dream" for the 1981 Cup Final.
The theme was and so picked upwards by Hibernian, with Hector Nicol'southward release of the track "Celebrity, celebrity to the Hibees" in 1963.[30] [31] "Glory, Glory Leeds United" was a popular chant during Leeds' 1970 FA Cup run. Manchester United fans picked it upwards every bit "Glory, Glory Human being United" during the 1983 FA Loving cup Concluding. Every bit a consequence of its popularity with these and other British teams, it has spread internationally and to other sporting codes. An example of its reach is its popularity with fans of the Australian Rugby League team, the South Sydney Rabbitohs (Celebrity, Celebrity to South Sydney) and to A-League team Perth Glory. Brighton fans gloat their 1970s legend past singing "Mine eyes take seen the celebrity of the coming of the Lord, he played for Brighton and Hove Albion and his proper name is Peter Ward, etc."
Other songs set to this tune [edit]
Some songs brand utilize of both the melody and elements of the lyrics of "Battle Hymn of the Commonwealth", either in tribute or as a parody:
- "Marching Song of the First Arkansas" is a Ceremonious State of war–era vocal that has a like lyrical structure to "Battle Hymn of the Republic". It has been described equally "a powerful early on statement of black pride, militancy, and desire for full equality, revealing the aspirations of black soldiers for Reconstruction besides equally anticipating the spirit of the civil rights move of the 1960s".[32]
- The melody has been used with alternative lyrics numerous times. The University of Georgia's rally song, "Celebrity Glory to Sometime Georgia", is based on the patriotic tune, and has been sung at American higher football game games since 1909. Other college teams also use songs set to the same melody. I such is "Celebrity, Glory to Erstwhile Auburn" at Auburn University. Some other is "Glory Colorado", traditionally played by the band and sung after touchdowns scored by the Colorado Buffaloes. "Glory Colorado" has been a fight vocal at the University of Colorado (Boulder) for more than ane hundred years.
- In 1901 Marker Twain wrote "The Battle Hymn of the Republic, Updated", with the aforementioned tune as the original, as a comment on the Philippine–American War. It was later recorded by the Chad Mitchell Trio.
- "The Burning of the School" is a well-known parody of the song.[33]
- The United states Army paratrooper vocal, "Blood on the Risers", first sung in Globe War Two, includes the lyrics "Gory, gory" in the lyrics, based on the original's "Celebrity, glory".
- A number of terrace songs (in association football) are sung to the tune in United kingdom of great britain and northern ireland. Most frequently, fans chant "Glory, Celebrity..." plus their team'southward proper name: the chants have been recorded and released officially every bit songs by Hibernian, Tottenham, Leeds United and Manchester United. The 1994 World Cup official song "Gloryland" interpreted by Daryl Hall and the Sounds of Black has the tune of "Battle Hymn of the Republic".[34] In Argentina the St. Alban'southward former Pupils Assn (Erstwhile Philomathian Club) used the tune for its "Glory Celebrity Philomathians" likewise. While non heard often nowadays information technology is withal a cherished song for the Old Philomathians.
- In Australia, the most famous version of the vocal is used by the South Sydney Rabbitohs, an Australian rugby league club – "Glory Glory to South Sydney". The song mentions all the teams in the competition when the song was written, and says what Souths did to them when they played. Each poesy ends with, "They vesture the Crimson and Green".[35]
- The parody vocal "Jesus Can't Play Rugby", pop at breezy sporting events, uses the traditional tune under improvised lyrics. Performances typically characteristic a call-and-response structure, wherein one performer proposes an agreeable reason why Jesus Christ might be disqualified from playing rugby—e.g. "Jesus tin't play rugby 'cause his dad will rig the game"—which is then repeated back by other participants (mirroring the repetitive structure of "John Chocolate-brown's Trunk"), before catastrophe with the tongue-in-cheek annunciation "Jesus saves, Jesus saves, Jesus saves". A chorus may feature the repeated call of "Free beer for all the ruggers", or, later on terminal the terminal verse, "Jesus, we're only kidding".[36]
- A protestation song titled "Gloria, Gloria Labandera" (lit. "Gloria the Laundrywoman") was used by supporters of former Philippine president Joseph Estrada to mock Gloria Macapagal Arroyo afterward the latter assumed the presidency following Estrada's ouster from office, further deriving the "labandera" parallels to declared coin laundering.[37] While Approach did not mind the nickname and went on to use it for her projects, the Catholic Church took umbrage to the parody lyrics and called it "obscene".[38]
Other songs simply utilize the melody, i.east. the tune of "John Brown'southward Body", with no lyrical connection to "The Battle Hymn of the Republic":
- "Solidarity Forever", a marching song for organized labor in the 20th century.[39]
- The anthem of the American consumers' cooperative motion, "The Battle Hymn of Cooperation", written in 1932.
- The tune has been used as a marching song in the Finnish armed services with the words "Kalle-Kustaan muori makaa hiljaa haudassaan, ja yli haudan me marssimme näin " ("Carl Gustaf's hag lies silently in her grave, and nosotros're marching over the grave like this").[40]
- The Finnish Ice Hockey fans can be heard singing the tune with the lyrics "Suomi tekee kohta maalin, eikä kukaan sille mitään voi" ("Finland volition presently score, and no one can do annihilation virtually it").[41]
- The Estonian song "Kalle Kusta" uses the melody also.
- The popular folk dance "Gólya" ("Stork"), known in several Hungarian-speaking communities in Transylvania (Romania), equally well every bit in Hungary proper, is set to the same tune. The same dance is constitute among the Csángós of Moldavia with a dissimilar tune, under the proper name "Hojna"; with the Moldavian melody generally considered original, and the "Boxing Hymn" tune a later adaptation.[ citation needed ]
- The melody is used in British plant nursery rhyme "Little Peter Rabbit".[42]
- The melody is used in French Canadian Christmas carol called "Glory, Alleluia", covered past Celine Dion and others.[43]
- The melody is used in the marching song of the Assam Regiment of the Indian Army: "Badluram ka Badan", or "Badluram's Body", its chorus being "Shabash Hallelujah" instead of "Glory Hallelujah". The word "Shabash" in Hindustani ways "congratulations" or "well done".
- The song "Belfast Brigade" using alternate lyrics is sung past the Lucky4 in support of the Irish Republican Army.
- The song "Upward Went Nelson", celebrating the devastation of Nelson'southward Colonnade in Dublin, is sung to this melody.
- The Discordian Handbook Principia Discordia has a version of the vocal called Battle Hymn of the Eristocracy.[44] It has been recorded for example by Aarni.[45]
- The Subiaco Football Club, in the W Australian Football League, uses the vocal for their team song. Also, the Casey Demons in the Victorian Football League also currently use the vocal. The words have been adjusted due to the song mainly being written during the period of time they were chosen the Casey Scorpions and the Springvale Football Club. As well as these two clubs, the Westward Torrens Football Club used the song until 1990, when their successor social club, Woodville-West Torrens, currently use this song in the South Australian National Football game League.
- The Brisbane Bears, before they merged with the Fitzroy Football Club, used the "Battle Hymn of the Republic" in experiment mode before somewhen scrapping it in favour of the original vocal.
- The melody is used in the well-known Dutch children's vocal "Lief klein konijntje". The song is virtually a cute little rabbit that has a fly on his nose.
- The melody is used equally the theme for the Japanese electronics chain Yodobashi Photographic camera.
- The melody is used as a nursery rhyme in Nihon equally ともだち讃歌 ("Tomodachi Sanka").
- The melody has been used as a fight song in Queen'south University, named "Oil Thigh".[46]
Other settings of the text [edit]
Irish composer Ina Boyle prepare the text for solo soprano, mixed choir and orchestra; she completed her version in 1918.[47]
See also [edit]
- "Boxing Weep of Freedom"
- "Belfast Brigade"
- "Blood on the Risers"
- Children'due south street culture
- "Glory, Glory" (Georgia fight song)
- "Solidarity Forever"
- William Weston Patton
- "Dixie", the Amalgamated equivalent.
References [edit]
- ^ Stauffer, John; Soskis, Benjamin (2013). The Battle Hymn of the Commonwealth: A Biography of the Song That Marches On. Oxford Academy Press. ISBN9780199339587.
- ^ Stauffer & Soskis 2013, p. 18.
- ^ Stauffer & Soskis 2013, pp. 26–27.
- ^ a b Kimball 1890, p. 372.
- ^ Kimball 1890, pp. 373–4.
- ^ Cutler, Frederick Morse (1917), The old First Massachusetts declension artillery in war and peace (Google Books), Boston: Pilgrim Printing, pp. 105–half dozen
- ^ Cutler, Frederick Morse (1920), The 55th artillery (CAC) in the American expeditionary forces, France, 1918 (Google Books), Worcester, MA: Commonwealth Press, pp. 261ff
- ^ Williams, Gary. Hungry Heart: The Literary Emergence of Julia Ward Howe. Amherst: University of Massachusetts Printing, 1999: 208. ISBN ane-55849-157-0
- ^ Julia Ward Howe, 1819–1910, vol. I, U Ppenn, June 1, 1912, retrieved July two, 2010 . Run across also footnote in To-Day, 1885 (v.3, Feb), p.88
- ^ Howe, Julia Ward. Reminiscences: 1819–1899. Houghton, Mifflin: New York, 1899. p. 275.
- ^ Hall, Roger Fifty. New England Songster. PineTree Press, 1997.
- ^ Reynolds, David South. "John Brown Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights." Vintage Books, pp. 209–215.
- ^ Howe, Julia Ward (February 1862). "The Battle Hymn of the Republic". The Atlantic Monthly. nine (52): 10. Retrieved April 26, 2015.
- ^ Stossel, Sage (September 2001). "The Battle Hymn of the Democracy". The Atlantic Monthly . Retrieved Apr 26, 2015.
- ^ Howe, Julia Ward. Battle hymn of the commonwealth, Washington, D.C:Supervisory Commission for Recruiting Colored Regiments [north.d] "Battle hymn of the Commonwealth. By Mrs. Julia Ward Howe. Published by the Supervisory Committee for Recruiting Colored Regiments". Library of Congress . Retrieved June thirty, 2020.
- ^ "LDS Hymns #lx". Hymns. Church of Jesus Christ of Latter Day Saints. Retrieved July 23, 2020.
- ^ 1862 sail music https://www.loc.gov/resource/ihas.200000858.0/?sp=1
- ^ "Battle Hymn of the Republic (original version)". American music preservation. Retrieved July 2, 2010.
- ^ Sanders, Coyne Steven (1990). Rainbow'south End: The Judy Garland Show. Zebra Books. ISBN 0-8217-3708-2 (paperback ed).
- ^ Williams, Andy, Battle Hymn of the Democracy (chart positions), Music VF, retrieved June 16, 2013
- ^ julius923 (September thirteen, 2009). "Battle Hymn of the Republic – London 2001". Archived from the original on November 2, 2021 – via YouTube.
- ^ "Superlative native leads choir opening DNC". Retrieved January nineteen, 2017.
- ^ "Civil War Music: The Boxing Hymn of the Republic". Civilwar.org. October 17, 1910. Archived from the original on August 16, 2012. Retrieved Baronial 5, 2012.
- ^ "Video: Presiding Bishop-elect Michael Curry preaches at General Convention Closing Eucharist". July three, 2015.
- ^ DeMott, Robert (1992). Robert DeMott'south Introduction to The Grapes of Wrath . U.s.a.: Viking Penguin. p. xviii. ISBN0-14-018640-ix.
- ^ "Terrible Swift Sword: The Battle of Gettysburg – Lath Game". BoardGameGeek. Retrieved August five, 2012.
- ^ "You Desire It Darker" Columbia Records, released Oct. 21, 2016
- ^ "New Yorker". The New Yorker.
{{cite magazine}}
: CS1 maint: url-status (link) - ^ Cloake, Martin (December 12, 2012). "The Celebrity Glory Nights: The Official Story of Tottenham Hotspur in Europe".
- ^ "Hector Nicol with the Kelvin State Trip the light fantastic Band – Glory Glory To The Hi-Bees (Hibernian Supporters Song) (Vinyl, 7", 45 RPM, Single) – Discogs". Discogs . Retrieved March 22, 2019.
- ^ "Hector Nicol – Discography & Songs – Discogs". Discogs . Retrieved March 22, 2019.
- ^ Walls, "Marching Song", Arkansas Historical Quarterly (Winter 2007), 401–402.
- ^ Dirda, Michael (November half-dozen, 1988). "Where the Sidewalk Begins". The Washington Post. p. 16.
- ^ "Gloryland 1994 World Loving cup Song". YouTube. Archived from the original on November two, 2021. Retrieved September 28, 2010.
- ^ "Rabbitohs Gild Song". Due south Sydney Rabbitohs.
- ^ "Informationen zum Thema Shamrocks Rugby Will County Rugby Chicago Rugby Manhattan Rugby". shamrockrfc.com. [ dead link ]
- ^ "Gloria doesn't mind 'labandera' tag". Philstar.com. Philstar Global Corp. May 5, 2001. Retrieved September eighteen, 2020.
- ^ Vanzi, Sol Jose. "PHNE: Business and Economy". www.newsflash.org. Retrieved July 4, 2020.
- ^ Steffe, William (1862). "Solidarity Forever: Melody – 'Battle Hymn of the Republic'". Musica internet. Retrieved July ii, 2010.
- ^ Uppo-Nalle (1991), Suomen kansallisfilmografia (2004), on ELONET, National Audiovisual Archive and the Finnish Board of Film Classification, "Archived copy". Archived from the original on September fourteen, 2014. Retrieved September 14, 2014.
{{cite web}}
: CS1 maint: archived re-create as title (link) - ^ "Varski Varjola – Suomi tekee kohta maalin (2011)". March 14, 2011. Archived from the original on November two, 2021 – via YouTube.
- ^ Little Peter rabbit song (PDF), United kingdom of great britain and northern ireland: Book trust, archived from the original (PDF) on Nov 2, 2013
- ^ "Céline Dion chante noël". world wide web.celinedion.com. Retrieved Nov 24, 2020.
- ^ "Principia Discordia – Page 11". Principia Discordia.
- ^ "Aarni – The Boxing Hymn Of Eristocracy". Oct 23, 2011. Archived from the original on Nov 2, 2021 – via YouTube.
- ^ "Oil Thigh". Queen's online encyclopedia. Queen's Webmaster. Retrieved October 16, 2020.
- ^ "Works with Orchestra". Retrieved December 14, 2016.
Sources [edit]
- Kimball, George (1890), "Origin of the John Dark-brown Song", The New England Magazine, new, Cornell University, ane .
Farther reading [edit]
- Claghorn, Charles Eugene, "Battle Hymn: The Story Behind The Battle Hymn of the Republic". Papers of the Hymn Society of America, XXIX.
- Clifford, Deborah Pickman. 'Mine Eyes Have Seen the Glory: A Biography of Julia Ward Howe. Boston: Little, Brownish and Co., 1978. ISBN 0316147478
- Collins, Ace. Songs Sung, Red, White, and Blueish: The Stories Behind America's All-time-Loved Patriotic Songs. HarperResource, 2003. ISBN 0060513047
- Hall, Florence Howe. The story of the Battle hymn of the commonwealth (Harper, 1916) online
- Hall, Roger Lee. Glory, Hallelujah: Ceremonious War Songs and Hymns, Stoughton: PineTree Press, 2012.
- Jackson, Popular Songs of Nineteenth-Century America, note on "Boxing Hymn of the Democracy", pp. 263–64.
- McWhirter, Christian. Battle Hymns: The Power and Popularity of Music in the Civil War. Chapel Hill, NC: University of North Carolina Press, 2012. ISBN 1469613670
- Scholes, Percy A. "John Chocolate-brown's Body", The Oxford Companion of Music. 9th edition. London: Oxford Academy Press, 1955.
- Snyder, Edward D. "The Biblical Background of the 'Battle Hymn of the Republic,'" New England Quarterly (1951) 24#2, pp. 231–238 in JSTOR
- Stauffer, John, and Benjamin Soskis, eds. The Battle Hymn of the Commonwealth: A Biography of the Song That Marches On (Oxford University Press; 2013) ISBN 978-0-19-933958-7. 380 pages; Traces the history of the tune and lyrics & shows how the hymn has been used on later occasions
- Stutler, Boyd B. Celebrity, Celebrity, Hallelujah! The Story of "John Dark-brown's Body" and "Battle Hymn of the Republic." Cincinnati: The C. J. Krehbiel Co., 1960. OCLC 3360355
- Vowell, Sarah. "John Brownish's Body," in The Rose and the Briar: Expiry, Dear and Liberty in the American Ballad. Ed. past Sean Wilentz and Greil Marcus. New York: W. W. Norton, 2005. ISBN 0393059545
External links [edit]
Canvass music [edit]
- Free sheet music of The Battle Hymn of the Republic from Cantorion.org
- 1917 Canvas Music at Duke University every bit role of the American Memory collection of the Library of Congress
- The Battle Hymn of the Republic. Facsimile of first draft
Audio [edit]
- "The Battle Hymn of the Republic", Stevenson & Stanley (Edison Amberol 79, 1908)—Cylinder Preservation and Digitization Project.
- MIDI for The Boxing Hymn of the Republic from Project Gutenberg
- The Battle Hymn of the Democracy sung at Washington National Cathedral, mourning the September eleven, 2001 attacks.
- The short film A NATION SINGS (1963) is available for complimentary download at the Internet Archive.
Source: https://en.wikipedia.org/wiki/Battle_Hymn_of_the_Republic
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